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Sparking creativity in teams: An executive’s guide

Senior managers can apply practical insights from neuroscience to make themselves—and their teams—more creative.

Although creativity is often considered a trait of the privileged few, any individual or team can become more creative—better able to generate the breakthroughs that stimulate growth and performance. In fact, our experience with hundreds of corporate teams, ranging from experienced C-level executives to entry-level customer service reps, suggests that companies can use relatively simple techniques to boost the creative output of employees at any level.

The key is to focus on perception, which leading neuroscientists, such as Emory University’s Gregory Berns, find is intrinsically linked to creativity in the human brain. To perceive things differently, Berns maintains, we must bombard our brains with things it has never encountered. This kind of novelty is vital because the brain has evolved for efficiency and routinely takes perceptual shortcuts to save energy; perceiving information in the usual way requires little of it. Only by forcing our brains to recategorize information and move beyond our habitual thinking patterns can we begin to imagine truly novel alternatives.1

In this article, we’ll explore four practical ways for executives to apply this thinking to shake up ingrained perceptions and enhance creativity—both personally and with their direct reports and broader work teams. While we don’t claim to have invented the individual techniques, we have seen their collective power to help companies generate new ways of tackling perennial problems—a useful capability for any business on the prowl for potential game-changing growth opportunities.

Immerse yourself

Would-be innovators need to break free of preexisting views. Unfortunately, the human mind is surprisingly adroit at supporting its deep-seated ways of viewing the world while sifting out evidence to the contrary. Indeed, academic research suggests that even when presented with overwhelming facts, many people (including well-educated ones) simply won’t abandon their deeply held opinions.2

The antidote is personal experience: seeing and experiencing something firsthand can shake people up in ways that abstract discussions around conference room tables can’t. It’s therefore extremely valuable to start creativity-building exercises or idea generation efforts outside the office, by engineering personal experiences that directly confront the participants’ implicit or explicit assumptions.

Consider the experience of a North American specialty retailer that sought to reinvent its store format while improving the experience of its customers. To jump-start creativity in its people, the company sent out several groups of three to four employees to experience retail concepts very different from its own. Some went to Sephora, a beauty product retailer that features more than 200 brands and a sales model that encourages associates to offer honest product advice, without a particular allegiance to any of them. Others went to the Blues Jean Bar, an intimate boutique retailer that aspires to turn the impersonal experience of digging through piles of jeans into a cozy occasion reminiscent of a night at a neighborhood pub. Still others visited a gourmet chocolate shop.

These experiences were transformative for the employees, who watched, shopped, chatted with sales associates, took pictures, and later shared observations with teammates in a more formal idea generation session. By visiting the other retailers and seeing firsthand how they operated, the retailer’s employees were able to relax their strongly held views about their own company’s operations. This transformation, in turn, led them to identify new retail concepts they hadn’t thought of before, including organizing a key product by color (instead of by manufacturer) and changing the design of stores to center the shopping experience around advice from expert stylists.

Likewise, a team of senior executives from a global retail bank visited branches of two competitors and a local Apple retail store to kick off an innovation effort. After recording first impressions and paying particular attention to how consumers were behaving, the bankers soon found themselves challenging long-held views about their own business. “As a consumer, I saw bank branches, including our own, differently,” said one of the executives. “Many of us in the industry are trying to put lipstick on a pig—making old banking look new and innovative with decorations but not really changing what’s underneath it all, the things that matter most to consumers.”

We’ve seen that by orchestrating personal encounters such as these, companies predispose their employees to greater creativity. For executives who want to start bolstering their own creative-thinking abilities—or those of a group—we suggest activities such as:

  • Go through the process of purchasing your own product or service—as a real consumer would—and record the experience. Include photos if you can.
  • Visit the stores or operations of other companies (including competitors) as a customer would and compare them with the same experiences at your own company.
  • Conduct online research and gather information about one of your products or services (or those of a competitor) as any ordinary customer would. Try reaching out to your company with a specific product- or service-related question.
  • Observe and talk to real consumers in the places where they purchase and use your products to see what offerings accompany yours, what alternatives consumers consider, and how long they take to decide.
Overcome orthodoxies

Exploring deep-rooted company (or even industry) orthodoxies is another way to jolt your brain out of the familiar in an idea generation session, a team meeting, or simply a contemplative moment alone at your desk. All organizations have conventional wisdom about “the way we do things,” unchallenged assumptions about what customers want, or supposedly essential elements of strategy that are rarely if ever questioned.

 

By identifying and then systematically challenging such core beliefs, companies can not only improve their ability to embrace new ideas but also get a jump on the competition. (For more, see sidebar, “Challenging orthodoxies: Don't forget technology.”) The rewards for success are big: Best Buy’s $3 million acquisition of Geek Squad in 2002, for example, went against the conventional wisdom that consumers wouldn’t pay extra to have products installed in their homes. Today, Geek Squad generates more than $1 billion in annual revenues.

A global credit card retailer looking for new-product ideas during the 2008 economic downturn turned to an orthodoxy-breaking exercise to stir up its thinking. Company leaders knew that consumer attitudes and behavior had changed—“credit” was now a dirty word—and that they needed to try something different. To see which deeply held beliefs might be holding the company back, a team of senior executives looked for orthodoxies in the traditional segmentation used across financial services: mass-market, mass-affluent, and affluent customers. Several long-held assumptions quickly emerged. The team came to realize, for example, that the company had always behaved as if only its affluent customers cared deeply about travel-related card programs, that only mass-market customers ever lived paycheck to paycheck (and that these customers didn’t have enough money to be interested in financial-planning products), and that the more wealthy the customers were, the more likely they would be to understand complex financial offerings.

The process of challenging these beliefs helped the credit card retailer’s executives identify intriguing opportunities to explore further. These included simplifying products, creating new reward programs, and working out novel attitudinal and behavioral segmentations to support new-product development (more about these later).

Executives looking to liberate their creative instincts by exploring company orthodoxies can begin by asking questions about customers, industry norms, and even business models—and then systematically challenging the answers. For example:

  • What business are we in?
  • What level of customer service do people expect?
  • What would customers never be willing to pay for?
  • What channel strategy is essential to us?
Use analogies

In testing and observing 3,000 executives over a six-year period, professors Clayton Christensen, Jeffrey Dyer, and Hal Gregersen, in a Harvard Business Review article,3 noted five important “discovery” skills for innovators: associating, questioning, observing, experimenting, and networking. The most powerful overall driver of innovation was associating—making connections across “seemingly unrelated questions, problems, or ideas.”

Our own experience confirms the power of associations. We’ve found a straightforward, accessible way to begin harnessing it: using analogies. As we’ve seen, by forcing comparisons between one company and a second, seemingly unrelated one, teams make considerable creative progress, particularly in situations requiring greenfield ideas. We’re not suggesting that you emulate other organizations—a recipe for disappointment. Rather, this approach is about using other companies to stir your imagination.

We recently used this technique in a brainstorming session involving the chief strategy officers (CSOs) of several North American companies, including a sporting-goods retailer. The rules were simple: we provided each executive, in turn, with a straightforward analogy the whole group would use to brainstorm new business model possibilities. When it was the turn of this retailer’s CSO, we asked the group to consider how Apple would design the company’s retail formats. The resulting conversation sparked some intriguing ideas, including one the retailer is considering for its stores: creating technology-assisted spaces, within its retail outlets, where customers can use Nintendo Wii–like technology to “try out” products.

Of course, most companies will use this tactic internally—say, in idea generation sessions or problem-solving meetings. Executives at the credit card retailer, for example, created analogies between their company and other leading brands to make further headway in the areas the team wanted to explore. By comparing the organization to Starwood Hotels, the executives imagined a new program that rewarded customers for paying early or on time (good behavior) instead of merely offering them bonus points for spending more (bad behavior). Similarly, by comparing the company’s back-office systems to those of Amazon.com and Google, the credit card retailer learned to think differently about how to manage its data and information in ways that would benefit consumers as they made product-related decisions and would also give the company valuable proprietary data about their behavior. Together, these insights led to several ideas that the company implemented within two months while also giving it a portfolio of longer-term, higher-stakes ideas to develop.

Analogies such as those the credit card retailer used are quite straightforward—just draft a list of questions such as the ones below and use them as a starting point for discussion.

  • How would Google manage our data?
  • How might Disney engage with our consumers?
  • How could Southwest Airlines cut our costs?
  • How would Zara redesign our supply chain?
  • How would Starwood Hotels design our customer loyalty program?
Create constraints

Another simple tactic you can use to encourage creativity is to impose artificial constraints on your business model. This move injects some much-needed “stark necessity” into an otherwise low-risk exercise.

Imposing constraints to spark innovation may seem counterintuitive—isn’t the idea to explore “white spaces” and “blue oceans”? Yet without some old-fashioned forcing mechanisms, many would-be creative thinkers spin their wheels aimlessly or never leave their intellectual comfort zones.

The examples below highlight constraints we’ve used successfully in idea generation sessions. Most managers can easily imagine other, more tailored ones for their own circumstances. Start by asking participants to imagine a world where they must function with severe limits—for instance, these:

  • You can interact with your customers only online.
  • You can serve only one consumer segment.
  • You have to move from B2C to B2B or vice versa.
  • The price of your product is cut in half.
  • Your largest channel disappears overnight.
  • You must charge a fivefold price premium for your product.
  • You have to offer your value proposition with a partner company.

The credit card retailer tried this approach, tailoring its constraints to include “We can’t talk to customers on the phone,” “We can’t make money on interchange fees,” and “We can’t raise interest rates.” In addition to helping company managers sharpen their thinking about possible new products and services, the exercise had an unexpected benefit—it better prepared them for subsequent regulatory legislation that, among other provisions, constrained the ability of industry players to raise interest rates on existing card members.

Creativity is not a trait reserved for the lucky few. By immersing your people in unexpected environments, confronting ingrained orthodoxies, using analogies, and challenging your organization to overcome difficult constraints, you can dramatically boost their creative output—and your own.

About the Authors
Marla Capozzi is a senior expert in McKinsey’s Boston office, Renée Dye is a senior expert in the Atlanta office, and Amy Howe is a principal in the Los Angeles office.
Notes

1 Berns also highlights two other important ways in which the brains of iconoclasts—people who do things that others say can’t be done—differ from those of the rest of us: social intelligence and the fear response. For more, see Gregory Berns, Iconoclast: A Neuroscientist Reveals How to Think Differently, Cambridge, MA: Harvard Business School Press, 2008.

2 See Larry M. Bartels, Unequal Democracy: The Political Economy of the New Gilded Age, Princeton, NJ: Princeton University Press, 2010.

3 Clayton Christensen, Jeffrey Dyer, and Hal Gregersen, “The innovator’s DNA,” Harvard Business Review, December 2009, Volume 87, Number 12, pp. 60–67.

Recommend (143)
  • 11 MAY 2011
    Rick Harris
    Managing Director
    Customer Faithful Ltd
    St Albans, UK

    ...Another creativity booster relates to your suggestions of using analogies, but we first explored this idea with the customer in the environment they typically experience....

    .
    Rick Harris
    Managing Director
    Customer Faithful Ltd
    St Albans, UK

    A great set of tips, many of which I’ve used personally with customers and clients, and they work!

    Another creativity booster relates to your suggestions of using analogies, but we first explored this idea with the customer in the environment they typically experience.

    For example, we worked with customers of a large retailer, and after accompanying them in person through their shopping trip, we asked them what it was like and where it reminded them of.

    We heard a whole range of comments, from “It’s like applying for a passport visa” to “Like the Post Office,” to “Like the job center.” While the metaphors varied, they all had a core message: they could sense bureaucracy, paperwork, an institutionalised atmosphere, and they felt they were being processed rather than served.

    Our client was a little shocked but inspired, too. They had a clear insight to work with, and resolved to work in cross-functional teams to brainstorm what could make their stores feel more welcoming and personable, and also make their customers feel more valued.

    When we asked our client how the brainstorming sessions went, they told us they had untapped something different: not only a wealth of fresh thinking that didn’t just recycle old suggestions, but also that the ideas were all aligned in the same direction, grounded in that original insight of what customers likened their experience to. This alignment had the additional benefit of making it easy to assign metrics to test the initiatives. They added questions to their customer satisfaction surveys that explored how well valued and warmly treated their shoppers felt at different stages of the customer journey.

    Overall, this technique is one of our favorite and most productive.

    .
  • 5 MAY 2011
    Peter Kronborg
    Deputy Chairman
    Creativity Australia
    Australia

    Cross-sector association and stimulation of new thoughts is a key technique in promoting creativity and association. It is even more important in our world of increased specialization and resulting silos in industries and in companies.

    .
    Peter Kronborg
    Deputy Chairman
    Creativity Australia
    Australia

    Cross-sector association and stimulation of new thoughts is a key technique in promoting creativity and association. It is even more important in our world of increased specialization and resulting silos in industries and in companies.

    .
  • 3 MAY 2011
    Krishnan Sivaraman
    Head Operations
    deccan cargo & express logistics
    Bangalore, Karnataka, India

    Leadership is critical to ensuring the team is creative—more importantly when the going is tough and the best creative ideas are needed to find the way out of tight corners.

    .
    Krishnan Sivaraman
    Head Operations
    deccan cargo & express logistics
    Bangalore, Karnataka, India

    Leadership is critical to ensuring the team is creative—more importantly when the going is tough and the best creative ideas are needed to find the way out of tight corners.

    .
  • 22 APRIL 2011
    Louise Holmes
    CEO
    Nine Work Lives LLC
    Brooklyn, NY USA

    Another way to stimulate imagination in creativity is to teach your teams meditation techniques...

    .
    Louise Holmes
    CEO
    Nine Work Lives LLC
    Brooklyn, NY USA

    Another way to stimulate imagination in creativity is to teach your teams meditation techniques, as Google is now doing. An easy tool to use to get into a meditative state is something called Open Focus, a theory and practice developed by psychologist Les Fehmi. His guided exercises are designed to shift out of the attention mode most of us are stuck in (logical, left brain, narrow focus), into a more open, diffuse style of attention. Along with the shift in attention comes a change in brainwaves to more alpha and more synchronous alpha brainwaves. Here is where stress is released throughout the mind and body, and one can access to the subconscious, which is where the creative insights and intuition reside.

    .
  • 20 APRIL 2011
    Phalana Tiller
    Communications Manager
    The Drucker Institute
    Claremont, CA USA

    ...It is vital...“to get outside information, which is information on how other people, with other jobs, other backgrounds, other knowledges, other values and other points of view see the world....”

    .
    Phalana Tiller
    Communications Manager
    The Drucker Institute
    Claremont, CA USA

    Peter Drucker counseled very much the same thing, urging executives to get out from behind their desks as much as possible. It is vital, he wrote, “to get outside information, which is information on how other people, with other jobs, other backgrounds, other knowledges, other values, and other points of view see the world, act and react, and make their decisions.”

    .
  • 20 APRIL 2011
    San Persand
    Consultant
    CreativXpert
    Montreal, Quebec Canada

    ...we can train our brains to think analogically with the help of, for example, pictures and drawings....However, the key is to relate the abstract ideas or pictures with something concrete within our field of expertise....

    .
    San Persand
    Consultant
    CreativXpert
    Montreal, Quebec Canada

    As an inventor in the scientific and innovator in the legal field, I have always made use of analogies to connect seemingly unrelated things to breakthrough creative ideas. I’ve read the book Iconoclast, which is amazing.

    I will further add that we can train our brains to think analogically with the help of, for example, pictures and drawings. Or even day dreaming as previously said. However, the key is to relate the abstract ideas or pictures with something concrete within our field of expertise. This helps open connections between our logical left brain and our analogical/creative right brain. The more we practice, the more the connections open up. That’s why the “a-ha” moment sometimes comes up just by itself, while we are not thinking about the problem, but doing something totally unrelated. The brain keeps thinking analogically, once the neural circuits are stimulated.

    .
  • 20 APRIL 2011
    Richard Smith
    MD
    Vivimed Labs Europe Ltds
    Huddersfield, UK

    Why are there so few, if any, examples in your article of how B2B companies are tackling this?...

    .
    Richard Smith
    MD
    Vivimed Labs Europe Ltds
    Huddersfield, UK

    Why are there so few, if any, examples in your article of how B2B companies are tackling this? Creativity and innovation for the consumer is more straightforward in my opinion, but in the B2B environment you are always focused on the decision-making unit and this requires a much more multifaceted approach. But I agree that teamwork is the key.

    .
  • 19 APRIL 2011
    Stephen Melanson
    President
    Melanson Consulting
    Natick, MA USA

    ...Tiger Woods is creative on a golf course because he’s mastered the basics. Then, and only then, is he able to be effectively creative....

    .
    Stephen Melanson
    President
    Melanson Consulting
    Natick, MA USA

    Often forgotten is the notion that, without a proper foundation to work from, creativity is nearly impossible to attain with any degree of skill. Tiger Woods is creative on a golf course because he’s mastered the basics. Then, and only then, is he able to be effectively creative.

    So, remember, relative to the situation and business offer, start with (someone/everyone) mastering the simplest formation of the basics and then a person or group will be able to consider options beyond them, i.e. creatively.

    .
  • 18 APRIL 2011
    Alden Lee
    Management Accountant
    Australia

    ...Every organization already has inherently creative people....

    .
    Alden Lee
    Management Accountant
    Australia

    Why limit problem solving to a selected few?

    While the selected team members can make use of the four creativity techniques from the article to formulate possible solutions, they can also play facilitators in encouraging the rest of the organization to contribute: think “cloud creativity” along the lines of “cloud computing.”

    Every organization already has inherently creative people. Remember Peter who always comes out from meetings with more doodles than meeting notes? How about Lucy who can’t seem to run out of new food recipes to share? In fact, because every individual’s life experiences are different (immersion technique checked), any individual can potentially contribute a creative solution. Also, individuals outside the team would be less prone to groupthink (overcome orthodoxies technique checked).

    Unfortunately, in most organizations, this additional creative capacity lies idle.

    .
  • 18 APRIL 2011
    Sue Liburd
    Managing Director
    Sage Blue
    London, UK

    ...faced with a counterintuitive question, it stimulates a completely different way of thinking and level of response....

    .
    Sue Liburd
    Managing Director
    Sage Blue
    London, UK

    Imposing constraints to spark innovation may seem counterintuitive; however, in my experience when working with mature audiences (those who have attended years of training and countless “blue-sky thinking“ events), I have found that audiences struggle with creative and new ways of thinking. However, when faced with a counterintuitive question, it stimulates a completely different way of thinking and level of response. It’s as if you can see new neurons forming.

    .
  • 18 APRIL 2011
    Claire Odogbo
    Senior Consultant
    PricewaterhouseCoopers
    Doha, Qatar

    ...I am a firm believer that creativity isn’t for the lucky few...

    .
    Claire Odogbo
    Senior Consultant
    PricewaterhouseCoopers
    Doha, Qatar

    Excellent article!
    I am a firm believer that creativity isn’t for the lucky few, but it is a God-given ability residing in humans and waiting for expression. This is where stimulating creativity through various exercises and training play a very important role. Today, with the proliferation of knowledge, organizations that are willing to take the bold step towards doing things differently—creative organizations—have greater access to these tools than ever before.

    .
  • 16 APRIL 2011
    Richard Gomes
    Director
    Citigroup
    Huntington Station, NY USA

    If you ask the right questions, the answers will follow.

    .
    Richard Gomes
    Director
    Citigroup
    Huntington Station, NY USA

    If you ask the right questions, the answers will follow.

    .
  • 16 APRIL 2011
    Sarah Lawrence
    SPot-ON Business Partner
    Superpartners
    Melbourne, Australia

    Creating an innovative culture is about providing employees the space to reflect on what is working well within a company and where the gaps lay—the opportunities....

    .
    Sarah Lawrence
    SPot-ON Business Partner
    Superpartners
    Melbourne, Australia

    Creating an innovative culture is about providing employees the space to reflect on what is working well within a company and where the gaps lay—the opportunities. It’s about leaders framing conversations for their teams and empowering them to identify and try new ways of working. Innovation that comes from the ground up will be owned and refined by our people, and is generally more customer-centric.

    .
  • 15 APRIL 2011
    Jasmine Gartner
    Independent Consultant and Trainer
    JGConsulting
    London, UK

    Interesting article—I’ve always used the experiential in my training courses, but I hadn’t realized the neurological structure underpinning why it is so effective.

    .
    Jasmine Gartner
    Independent Consultant and Trainer
    JGConsulting
    London, UK

    Interesting article—I’ve always used the experiential in my training courses, but I hadn’t realized the neurological structure underpinning why it is so effective.

    .
  • 15 APRIL 2011
    Tim Ayers
    VP Services Strategy, CTO
    Tellabs, Inc.
    Chicago, IL USA

    Leaders are critical to the equation. If leaders say one thing, “we highly value innovation,” but in practice their organizations value and promote the status quo...

    .
    Tim Ayers
    VP Services Strategy, CTO
    Tellabs, Inc.
    Chicago, IL USA

    Leaders are critical to the equation. If leaders say one thing, “we highly value innovation,” but in practice their organizations value and promote the status quo, discourage risk taking, and send a message not to “rock the boat,” real creative dialogue goes underground, and then out the door to venues where people with ideas and passion to explore them can do so.

    .
  • 15 APRIL 2011
    Satyabroto Banerji
    Technology Coordinator
    Safety Brigade
    Mumbai, Maharashtra, India

    Organizational ambiance drives creativity. Bureaucracies that foster compliance suffer in this respect, while youthful, casual, and risk-taking upstarts of the IT genre thrive....

    .
    Satyabroto Banerji
    Technology Coordinator
    Safety Brigade
    Mumbai, Maharashtra, India

    Organizational ambiance drives creativity. Bureaucracies that foster compliance suffer in this respect, while youthful, casual, and risk-taking upstarts of the IT genre thrive. Even conservative corporations of early 20th century vintage allow advertising and research personnel special elbow-room in terms of dress and work habits. de Bono’s prescriptions for provocative thinking, suspended idea evaluation, and fresh reviews of rejections, stitch creativity in to routine business processes. However, obsolete and insecure middle management can still sabotage the best laid paths to innovation!

    .
  • 15 APRIL 2011
    Shashank Tilak
    CEO
    Vainateya Software Consultancy Pvt Ltd
    Mumbai India

    ...The ability to test and discard an idea that is not viable is as critical as the generation of new ideas themselves.

    .
    Shashank Tilak
    CEO
    Vainateya Software Consultancy Pvt Ltd
    Mumbai India

    Creativity is not just about generating ideas. For successful business, it is also necessary to ensure that the idea can be implemented in a robust manner. The robustness is essential to ensure that all benefits will be delivered in a variety of business conditions.

    Apart from generating ideas, it is also necessary that the idea survives in the real world. The ability to test and discard an idea that is not viable is as critical as the generation of new ideas themselves.

    .
  • 15 APRIL 2011
    Prabhat B Garg
    Director
    Abhimanu Visions(E) Pvt Ltd
    Chandigarh India

    We are using creativity and innovation in training while evaluating the daily routine and even hobbies of individuals and teams to produce faster and more natural connections...

    .
    Prabhat B Garg
    Director
    Abhimanu Visions(E) Pvt Ltd
    Chandigarh India

    We are using creativity and innovation in training while evaluating the daily routine and even hobbies of individuals and teams to produce faster and more natural connections to create a long-term impact on their personal and professional lives as well.
    Thanks a lot for the wonderful insight.

    .
  • 15 APRIL 2011
    Giles Keeble
    London UK

    ...Creativity is about making connections, and while people can be encouraged and given the opportunity, there are some who do not find it a natural process....

    .
    Giles Keeble
    London UK

    What is surprising about this is that it is not new. Perhaps the fact that it might appear so to the authors and some others speaks for itself. Creativity is about making connections, and while people can be encouraged and given the opportunity, there are some who do not find it a natural process. I recommend a small book—still in print—by James Webb Young, once a top copywriter, called A Technique for Producing Ideas. Ideas are ‘new combinations.’ What you combine and how you do it is the essence, but whether the ‘idea’ is a good one needs experience, testing, and judgment.

    .
  • 15 APRIL 2011
    Gery Sasko
    Principal
    IntraFocus Management Consulting
    Chester Springs, PA USA

    ...helping people objectively examine how their deeply-held adherence to convention colors their views on emerging opportunities can be a major tug of war....

    .
    Gery Sasko
    Principal
    IntraFocus Management Consulting
    Chester Springs, PA USA

    The authors make several valuable and insightful points in this excellent article. First of all, they offer a wonderful blend of practical strategies and research. In my own work on developing the change needed for high-performance teams and culture, helping people objectively examine how their deeply-held adherence to convention colors their views on emerging opportunities can be a major tug of war. It is classic “ladder of inference” whereby any and all assumptions and perspectives are derived of our current worldview. The authors offer some insightful methods to assist people and teams break the cognitive gridlock that often binds us to the same intellectual “city block” day after day.

    .
  • 15 APRIL 2011
    T P
    President
    InterRisk
    Connecticut, USA

    In other words, read Porter who stated the same things 30 years ago.

    .
    T P
    President
    InterRisk
    Connecticut, USA

    In other words, read Porter who stated the same things 30 years ago.

    .
  • 15 APRIL 2011
    Terry Wilcox
    MD
    Theory of Excellence
    Banglamung Thailand

    One of the main creative techniques is actually day dreaming....

    .
    Terry Wilcox
    MD
    Theory of Excellence
    Banglamung Thailand

    One of the main creative techniques is actually day dreaming. Recent research has shown that this mode of thought uses more parts of the brain linking lots of associated and un-associated information to produce novel and innovative solutions.

    .
  • 14 APRIL 2011
    Amar Chatterjee
    Doctoral Scholar
    XLRI
    Jamshedpur, India

    ...there lies a hidden paradox: while comfort may well be the objective of any creative effort, comfort and creativity can hardly coexist with each other...

    .
    Amar Chatterjee
    Doctoral Scholar
    XLRI
    Jamshedpur, India

    Excellent article. A few ideas can supplement it well:

    1. While one’s traits need not restrict one’s creativity, the trait component need not be thrown aside altogether either.

    2. Breaking free of one’s ego, as espoused in ancient Indian scripture, Gita, fosters creativity.

    3) That winning over ego boosts creative thinking is also strongly supported in recent times by Dr. Edward de Bono, the creator of simple and practical creative thinking techniques like Six Thinking Hats and Lateral Thinking.

    4. Like regular exercise helps build a strong body and stopping exercise leads to the deterioration of health, it’s exercising the brain and solving brain-teasers that help keep the mind alert and creative.

    5. In essence, creativity seems to me to be a ‘reactive’ phenomenon. The more problems and challenges around, the greater the scope of facing, meeting, and solving them and the greater the chances of creativity “manifesting” itself. If there is no challenge, there is little scope of creativity. In that sense, there lies a hidden paradox: while comfort may well be the objective of any creative effort, comfort and creativity can hardly coexist with each other.

    6. In an organizational setting, group creativity outweighs individual creativities in impact and importance. Creativity in work groups leads to a creative culture within the organization such that an new inductee is quickly immersed in that culture and becomes another creative contributor of useful ideas.

    7. Summing up, since creativity—particularly in group or team settings—has a direct relationship with the prevalence of an informal, ego-free, and promotive culture within the organization, a creative organization should also lead to a happier and continuously evolving organization. Such an organization keeps on outperforming itself year after year. Creativity helps not only the organization grow but also helps the individuals evolve faster.

    .
  • 14 APRIL 2011
    Saf Elmansour
    Partner
    Shokwav Marketing
    Washington, DC, USA

    ...analogies can also be used in association with different processes and even hobbies, which are more intuitive to individuals and teams, and can produce faster and more natural connections....

    .
    Saf Elmansour
    Partner
    Shokwav Marketing
    Washington, DC, USA

    Excellent and timely article. In addition to being used to make industry parallels, analogies can also be used in association with different processes and even hobbies, which are more intuitive to individuals and teams, and can produce faster and more natural connections.

    I have experienced creativity and innovation trainings like VisionMining’s, which uses photography to make connections between a seemingly unrelated creative process and the way we should be doing things inside the workplace. Photography is one example among many, but it is one that is familiar to virtually anyone with a point-and-shoot or phone camera.

    One example is our speed addiction and multitasking mania in the workplace. Productivity requirements and deadlines give rise to a constant race against time, emphasizing quantity or speed over quality and thoughtfulness. The same analogy applies to photography if you pick up your camera too fast without thinking your shot and composition through.

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Subject Sparking creativity in teams: An executive’s guide

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