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The power of storytelling: What nonprofits can teach the private sector about social media

Learn how to harness the power of social media in this case study excerpted from The Dragonfly Effect, by Jennifer Aaker and Andy Smith. Then hear more from the authors in a conversation with McKinsey’s Dan Singer.

nonprofits and social media article, the importance of storytelling, Marketing & Sales

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Companies are spending countless hours and millions of dollars trying to master social media. Is this a revolutionary platform that can drive everything from customer relationships to product development—or just another form of marketing? In a new book titled The Dragonfly Effect, Stanford University marketing professor Jennifer Aaker and marketing strategist Andy Smith seek to answer these questions by examining numerous examples of social media at work, distilling a framework for inspiring infectious action.

One of the four “dragonfly wings” that comprise the authors’ framework and give the book its name is engagement, which they define as “truly making people feel emotionally connected to helping you achieve your goals” through storytelling, authenticity, and establishing a personal connection. Presented here is an excerpt adapted from the book, followed by a discussion between the authors and Dan Singer, a director in McKinsey’s New York office. The conversation focused on lessons useful for leaders seeking to boost their organizations’ marketing effectiveness by engaging customers through social media. The bottom line: using social media to capture people’s attention is different from traditional advertising, and companies that measure the effectiveness of these new channels by simply counting Facebook fans should rethink their approach.

Listen to the book excerpt and conversation by using the audio tool in the box above.


Social-media engagement: A case study from The Dragonfly Effect

Scott Harrison was at the top of his world. The 28-year-old New York–based nightclub and fashion promoter excelled at bringing models and hedge-fund kings together and selling them $500 bottles of vodka. He had money and power. Yet his lifestyle brought something else: emptiness. Harrison felt spiritually bankrupt.

So he walked away, volunteering to serve on a floating hospital offering free medical care in the world’s poorest nations. Serving as the ship’s photojournalist, Harrison was quickly immersed in a very different world. Thousands would flock to the ship looking for solutions to debilitating problems: enormous tumors, cleft lips and palates, flesh eaten by bacteria from waterborne diseases. Harrison’s camera lens brought into focus astonishing poverty and pain, and he began documenting the struggles of these people and their courage.

After eight months, he moved back to New York, but not to his former life. Aware that many of the diseases and medical problems he witnessed stemmed from inadequate access to clean drinking water, he decided to do something about it. In 2006, he founded charity: water, a nonprofit designed to bring clean and safe drinking water to people in developing nations.

Harrison launched the organization on his 31st birthday by asking friends to donate $31 instead of giving him a gift. It was a success—the birthday generated $15,000 and helped build charity: water’s first few wells in Uganda. In the three years that followed, Harrison’s simple birthday wish snowballed into donations that today total more than $20 million, translating into almost 3,000 water projects spanning everything from hand-dug wells and deep wells to protection for springs to rainwater harvesting. The organization has now provided clean water to more than 1.4 million people spanning 17 countries. Its success can be explained through four design principles for generating engagement with a brand through social media.

Tell a story. Harrison’s personal journey—evoking themes of redemption, change, and hope—engaged others on an emotional level. By candidly discussing in media interviews and YouTube videos why and how he started charity: water, the thoughtful, accessible, and youthful Harrison helped viewers fall in love with him and his cause.

Empathize with your audience. Let people engage with your brand to learn what’s important to them and how it relates to your campaign. charity: water evoked empathy through the use of photographs and videos that revealed the urgency of the water problem in the developing world. Instead of relying just on statistics, the organization promoted compelling stories that forced people to think about what it would be like to live without access to clean water.

Emphasize authenticity. True passion is contagious, and the more authenticity you convey, the more easily others can connect with you and your cause. Because of charity: water’s commitment to transparency, donors not only understand the history that gave rise to the organization but also know exactly where their money goes. Reports and updates on the charity’s Web site connect donors directly to the results of their generosity.

Match the media with the message. How and where you say something can be as important as what you say. charity: water has a staff member dedicated to updating various social-media platforms and creating distinctive messages for Twitter and Facebook fan pages. The organization also relies heavily on video. One of charity: water’s most effective video projects involved convincing Terry George, the director of the film Hotel Rwanda, to make a 60-second public-service announcement in which movie star Jennifer Connelly took a gasoline can to New York City’s Central Park, filled the can with dirty water from the lagoon, and brought it home to serve to her two children. The producers of the reality TV show American Idol agreed to broadcast the spot during the program, ensuring that more than 25 million viewers saw it.


Applying the lessons beyond the social sector: McKinsey’s Dan Singer talks with the authors of The Dragonfly Effect

Dan Singer: If you look at powerful social-media campaigns or initiatives, what’s the essence of good storytelling?

Jennifer Aaker: Good stories have three components: a strong beginning, a strong end, and a point of tension. Most people confuse stories with situations. They’ll tell about a situation: X happened, Y happened, Z happened. But a good story takes Y, the middle part of the story, and creates tension or conflict where the reader or the audience is drawn into the story, what’s going to happen next.

Treating stories as assets is an underrealized idea right now. Stories serve as glue to unify communities. Stories spread from employee to employee, from consumer to consumer, and, in some cases, from employee to consumer or consumer to employee. Stories are much more memorable than statistics or simple anecdotes and are a mechanism that allows communities to grow. Strong stories can be told and retold. They become infectious.

There are at least four important stories that all companies should have in their portfolio. The first is the “who am I?” story—you know, how did we get started? The second is the “vision” story, the “where are we going in the future?” This may or may not be connected to the “who are we?” story. A third is the “apology and recovery” story. In any long-term relationship, there is inevitably going to be transgression. But it is remarkable to see how few companies have thought through what a transgression is for them and how they might respond to it. The final type of story that becomes really important for corporations to have in their bank is the “personal” story: what are the personal stories that are being incubated and cultivated within the organization? This is a very different type of story. This shines a light on people rather than the organization.

Dan Singer: Is it the story that resonates? Or is it the storyteller?

Andy Smith: The story is the most important thing. You don’t have to be famous to tell a good story. Where it really does come back to the storyteller is authenticity. People have to believe you. And you have to believe in the story yourself in order to be effective.

Jennifer Aaker: The reason authenticity becomes important in social media is that as you think about customers or employees stepping toward a cause, it’s oftentimes done when they trust the entity. When they step away from an organization, cause, or goal, it’s often because they feel it’s overly manufactured, overly professional, something to potentially distrust.

Dan Singer: What can businesses learn from folks in the social sector who use social networks and social media?

Jennifer Aaker: All four “wings” of the dragonfly act in concert. The first wing is focus: what is your single small, concrete goal? That goal should be measurable over time so you see how close you’re getting to it. The second wing is grabbing attention, making people look. That is very similar to more traditional means of marketing. The third wing is engagement, telling the story, which also has been important in the past. But how do you enable action on the part of employees and customers? That is very new to the social-media world. When you execute on these four wings—when four small acts are taken in concert—that’s when you get amplification or infectious action.

Dan Singer: So how do you assess companies’ efforts to date against the dragonfly framework? Are we in the early days?

Andy Smith: It’s not exactly the earliest day. There’s this hangover effect from traditional media. You can call it “campaign thinking.” Companies are pretty slow to take ownership of the ongoing back and forth with consumers that’s required to build a relationship. As public companies, they have whole departments devoted to nurture relationships with, say, financial analysts. They need to apply the same kind of approach to their social-media constituents. The platform itself is relatively straightforward. The mind-set needs to come with it.

Dan Singer: How do you think companies should measure their success in deploying social media or engaging with customers? You’ll hear companies talk about the number of Twitter followers or the number of Facebook fans they have. Are those the right measures?

Andy Smith: It reminds me of the early days, when people counted hits on your Web site. With each new media comes different meaningless statistics. It goes back to wing one: before you deploy an effort, you need to be thinking about your goal. That’s been a challenge for brand builders. Setting those goals and actions and measuring yourself against them is the way that companies configure the clearest path forward.

Dan Singer: An unstated assumption is that the medium through which the communication happens is electronic—Facebook, e-mail, Twitter. As those platforms become mature and probably fairly cluttered, will people get social fatigue?

Andy Smith: Oh, I think people have already started to show plenty of fatigue. It seems like the more things change, the shorter the life span between early adopters and people burning out. How many Twitter people can you follow?

Jennifer Aaker: There’s one study that we’re running right now that looks at the degree to which a subject gets asked to contribute some money or time to a cause. The number of people who delete something like this immediately from their inbox is somewhere around 95 percent. So you’re already seeing people feeling inundated by “asks,” especially in the social-good realm. Then there’s another big group of people who feel that social media is overhyped and has gotten too much attention.

Dan Singer: This is eerily reminiscent of traditional forms of advertising. In television, there’s so much clutter that what differentiates the effective from the rest is the quality of the story and the resources of the advertiser. Would you say the same is true here? What’s going to differentiate the 5 percent that get read from the 95 percent that get deleted?

Andy Smith: For advertisers, [it will be] creativity and the depth to which they really apply the principles of understanding what’s going to make people go. You literally just can’t throw a switch and write a check and buy it. But you can certainly get more airplay and more attention if you nurture your community and build your followers, build your fan base, build the things that matter, and then activate them.

Jennifer Aaker: It’s about the people driving the technology. You have to be cognizant of where the true power of social technology lies. It’s not in the technology—it’s in the people using it.

About the Authors

Jennifer Aaker is the General Atlantic Professor of Marketing at Stanford University’s Graduate School of Business; Andy Smith is a marketing strategist and principal at Vonavona Ventures. This article is adapted from their book, The Dragonfly Effect (Jossey-Bass, September 2010). Dan Singer is a director in McKinsey’s New York office.

Recommend (171)
  • 22 APRIL 2011
    Dustin Bohac
    Community Economic Development Manager
    Advent GX
    Bryan, TX USA

    ...Social media has empowered people to give because there are no social barriers separating commitment levels. It is a sort of emotional Laffer curve....

    .
    Dustin Bohac
    Community Economic Development Manager
    Advent GX
    Bryan, TX USA

    Never before has social media allowed us to realize peoples’ altruistic nature. Why? Because people want to be a part of something bigger than themselves. Social media has empowered people to give because there are no social barriers separating commitment levels. It is a sort of emotional Laffer curve. If you reduce the interest rate, or emotional indifference in this case, the more unity you induce and the more people will respond. By doing so you are increasing the authenticity of the story. More unity makes each person’s contribution more valuable intrinsically.

    .
  • 20 APRIL 2011
    Ankit Sharma
    Economist
    CMIE Pvt Ltd
    Jaipur, India

    ...increased content or activities in this space may bring malicious or false images to the public...

    .
    Ankit Sharma
    Economist
    CMIE Pvt Ltd
    Jaipur, India

    Storytelling is good and will attract an audience as far as they can make a connection with their real life or situations. But increased content or activities in this space may bring malicious or false images to the public for increased competition, which may jeopardize the whole social media for its credibility.

    .
  • 6 APRIL 2011
    Rob King
    Best Practices and Projects Manager
    Mapfre
    Mexico

    I believe there are no rules, this changes every day, and the only thing you can do is to try to manage this social media wave in order to keep yourself above it the most of the time, but for...

    .
    Rob King
    Best Practices and Projects Manager
    Mapfre
    Mexico

    I believe there are no rules, this changes every day, and the only thing you can do is to try to manage this social media wave in order to keep yourself above it the most of the time, but for sure you will fall!

    .
  • 14 MARCH 2011
    Jeffrey Manu
    Chief Goshen Giver
    Goshen Givers
    Accra, Ghana

    ...Give, tell people “why and how” and you’ll see results. I particularly find that the “why” outweighs the “how” in many cases.

    .
    Jeffrey Manu
    Chief Goshen Giver
    Goshen Givers
    Accra, Ghana

    I agree that passionate authenticity when coupled with a good story can get any company where it intends to be. As a social entrepreneur, I find that “give and you’ll receive Luke 6:38”, works in the nonprofit world very well. Give, tell people “why and how” and you’ll see results. I particularly find that the “why” outweighs the “how” in many cases.

    .
  • 9 MARCH 2011
    Bill Young
    Director
    Kestrel OPS
    Basel, Switzerland

    It’s a great insight and a terrific example for non-profits. But the only commercial businesses that can do this are the ones with a focus on a single, charismatic leader...

    .
    Bill Young
    Director
    Kestrel OPS
    Basel, Switzerland

    It’s a great insight and a terrific example for non-profits. But the only commercial businesses that can do this are the ones with a focus on a single, charismatic leader (such as Branson/Virgin and Jobs/Apple) and it could be argued they are already doing it.

    .
  • 5 MARCH 2011
    Sunil Vuppula
    Head of PR
    TCS
    Edison, NJ USA

    ...Often I find that NGOs miss the woods for the trees. Story is the most compelling element of how truth is told.

    .
    Sunil Vuppula
    Head of PR
    TCS
    Edison, NJ USA

    If the story resonates with the audience, then the engagement becomes an exchange with social media. I personally experienced it with an inspirational book, I Will Survive. Naturally, the mainstream media was cynical, but readers kept posting their personal, visceral reactions. Often I find that NGOs miss the woods for the trees. Story is the most compelling element of how truth is told.

    .
  • 4 MARCH 2011
    Edith Cardona
    Los Angeles, CA USA

    ...It appears that readers and, ultimately, donors and investors have been trained to expect and prefer the plot script that you’ve proposed in this article. This is unfortunate....

    .
    Edith Cardona
    Los Angeles, CA USA

    The majority of social entrepreneurship stories that the media covers typically begin with the well-to-do person who decides to “give it up” to do good, which by the way helps him/her feel less empty. But the real stories, the stories that are less likely to be covered by the media, come from very different origins.

    Consider the example in this article. A well-to-do person wakes up one day and decides he feels “empty”—life without purpose. Then one day he decides to do something interesting: on his birthday he taps his wealth network to contribute to his new found cause. Read the expert below. What do you think, does it sound canned?

    “Scott Harrison was at the top of his world. The 28-year-old New York–based nightclub and fashion promoter excelled at bringing models and hedge-fund kings together and selling them $500 bottles of vodka. He had money and power. Yet his lifestyle brought something else: emptiness. Harrison felt spiritually bankrupt.”

    This is not how it really happens.

    It is misleading to train readers to expect the “better” causes to have this type of plot.

    The origins of effective long-term changemakers is a personal experience with the issue (cause), in many cases poverty. An experience that has had a direct impact to his/her daily life, which has shaped how she or he interprets the world i.e., cause and effect, possibilities, approach. This person realizes there is a need do something and to make a positive impact long before the well-to-do person took a vacation in a developing nation or read about a need in low-income community.

    The untold changemaker story is based on direct poverty experience, a personal challenge to break through barriers, and achieving a point in life where giving back is just the start and changing lives is the objective.

    It appears that readers and, ultimately, donors and investors have been trained to expect and prefer the plot script that you’ve proposed in this article.

    This is unfortunate.

    Where can the changemakers from developing nations and low-income communities turn to to tell their story? Will they have to follow your approach?

    .
  • 15 FEBRUARY 2011
    Jack McLaughlin
    President
    My Broker Donates
    Larkspur CA USA

    ...How do you know when you are hitting on all four wings? For me, especially while speaking, it’s a very visceral connection.

    .
    Jack McLaughlin
    President
    My Broker Donates
    Larkspur CA USA

    Clear, spare and cogent. I’m lovin’ the Dragonfly.

    How do you know when you are hitting on all four wings? For me, especially while speaking, it’s a very visceral connection.

    .
  • 14 FEBRUARY 2011
    Sakshi Goel
    Mumbai, India

    What’s so new about the idea of storytelling as a way of engaging people? The whole point about Social Media is to engage people but the trick is to convert that “engagement” to action.

    .
    Sakshi Goel
    Mumbai, India

    What’s so new about the idea of storytelling as a way of engaging people? The whole point about Social Media is to engage people but the trick is to convert that “engagement” to action.

    .
  • 11 FEBRUARY 2011
    Judy Clauss
    Ministry Partner Liaison
    TWR
    Cary, NC USA

    Authenticity, empathy, and passion are the key words; story-telling is the medium. Thank you for this inspirational story.

    .
    Judy Clauss
    Ministry Partner Liaison
    TWR
    Cary, NC USA

    Authenticity, empathy, and passion are the key words; story-telling is the medium. Thank you for this inspirational story.

    .
  • 11 FEBRUARY 2011
    Paul Middlebrook
    Managing Director
    The Allotment Brand design
    London UK

    ..I am not sure about the ‘transgression’ element of storytelling. This seems a negative place to start from—maybe the third story type could be ‘the brand or customer story’...

    .
    Paul Middlebrook
    Managing Director
    The Allotment Brand design
    London UK

    Lovely article about the fundamental importance of storytelling. My only comment would be that I am not sure about the ‘transgression’ element of storytelling. This seems a negative place to start from—maybe the third story type could be ‘the brand or customer story’, i.e., stories that illustrate a company’s authentic point of difference/value.

    .
  • 10 FEBRUARY 2011
    Dil Sidhu
    Director - Corporate Programmes
    London Business School
    London UK

    ...Hearing about the issues and challenges being faced by a children’s charity reasonates deeper and on a more personal level than hearing about how a new department manager overcame work place difficulties....

    .
    Dil Sidhu
    Director - Corporate Programmes
    London Business School
    London UK

    It is no surprise that storytelling is such an attention grabber—we have all been listening to stories since childhood. Not-for-profit stories are usually more engaged with our core humanistic side. Hearing about the issues and challenges being faced by a children’s charity reasonates deeper and on a more personal level than hearing about how a new department manager overcame work place difficulties. Both important issues for the storyteller but you can’t help but be drawn into the one about things many of us have taken for granted!

    .
  • 10 FEBRUARY 2011
    Chetan Yardi
    Asia Pacific Executive
    IBM
    Mumbai, India

    ...I’ve seen loads of paper wasted on such campaigns with requests for charity, but in this case it seems social media has a solution.

    .
    Chetan Yardi
    Asia Pacific Executive
    IBM
    Mumbai, India

    Everyone has “something” inside that “moves” them—your story has to connect to that chord. It seems like Scott Harrison’s story did just that. The 95% who are inundated and just delete requests for support to social causes in my mind never get “moved” by the approach used by the campaign. I’ve seen loads of paper wasted on such campaigns with requests for charity, but in this case it seems social media has a solution.

    .
  • 10 FEBRUARY 2011
    Jamshed Chhor
    learning and development Officer
    International Union Against Tuberculosis and Lung
    Paris, France

    I think storytelling is more or less easy depending on the sector, industry, and cause....

    .
    Jamshed Chhor
    learning and development Officer
    International Union Against Tuberculosis and Lung
    Paris, France

    I think storytelling is more or less easy depending on the sector, industry, and cause. Public (and donor agencies) are generally inclined to give more money for causes that target the lower levels of Maslow’s Hierarchy of need (food, shelter, health, security), creating engaging stories that trigger guilt or empathy is much easier than, say, a project for higher education or management education of, say, a health programme worker.

    In my organisation, we realised that even though there is a lot of money for TB, malaria, and HIV, what is missing is management skills of running these programmes and we started management development programmes. In spite of subsidising these courses for participants from the developing world, we still don’t get paying participants. A real example I can quote is that donors feel giving medicines saves lives, but these same medicines may expire before they’re used because of poor management, or there may be stockouts because of poor information management. But for us it’s still a struggle to get door money for management training.

    The reason I started working in nonprofits was because my life changed due to education—my parents were uneducated from a small city in India and because someone believed in me and created a learning opportuity and I was succsesful. I am sitting now in Paris and writing to you hoping that I can create opportunities for others as someone created for me.

    We have many wonderful stories and if you want can send to anyone interested - but that is not helping us to get the necessary funds or paying participants for our courses in adequate numbers.

    Anyone interested in taking my organisation as a case study is welcome.

    .
  • 10 FEBRUARY 2011
    Torben Slot Petersen
    CEO
    www.storyhunter.dk
    Denmark

    @J Jeyaseelan. Aren’t sincerity and honesty necessary elements of authenticity...

    .
    Torben Slot Petersen
    CEO
    www.storyhunter.dk
    Denmark

    @J Jeyaseelan. Aren’t sincerity and honesty necessary elements of authenticity, and isn’t the beauty of authentic and gripping storytelling, that it inspires and changes the reader’s heart towards nearly any given company? Of course you would have to be consistent. You can’t share your passion for clean drinking water in third world countries at the same time as lobbying for corporate monopoly on the sale of clean water tablets. Once it reaches the public, you’ll be marked as a hypocrite or probably even greater magnitude as the company goodwill reaches, created by your initial story. Nevertheless, there are backlashes to storytelling (they are probably also mentioned in the book – aren’t they, Jennifer Aaker and Andy Smith?). I think you’re completely right in suggesting that companies have to evaluate very closely what kind of stories they want defining their core and essence.

    .
  • 10 FEBRUARY 2011
    Vince Pa
    analyst
    vpwork
    Toronto, Canada

    ...With personal integrity comes the desire of not even bothering about quarterly profits. It would be nice if the general corporate culture would embrace this concept.

    .
    Vince Pa
    analyst
    vpwork
    Toronto, Canada

    What makes a good story is the personal integrity that shines out of the story. With personal integrity comes the desire of not even bothering about quarterly profits. It would be nice if the general corporate culture would embrace this concept.

    .
  • 10 FEBRUARY 2011
    Penny Beeston
    CEO
    Autism Queensland
    Brisbane Australia

    ...social media will open up the opportunity for many people who have been marginalised by disability to become connected...

    .
    Penny Beeston
    CEO
    Autism Queensland
    Brisbane Australia

    An insightful article that reflects the desire in human beings to be engaged and connected with their community. In 2011 and beyond, social media will open up the opportunity for many people who have been marginalised by disability to become connected and to engage in ways that were previously not available.

    .
  • 10 FEBRUARY 2011
    Gery Sasko
    Principal
    Intrafocus Management Consuting
    Chester Springs, PA USA

    ...believe me, the non-profit sector does not have a leg up on the private sector in this area...

    .
    Gery Sasko
    Principal
    Intrafocus Management Consuting
    Chester Springs, PA USA

    A good story, but once again the article/interview drifts toward this nebulous discussion about organizational “misbehaviors” instead of more specifics about optimizing approaches. I have worked for a leading national non-profit for many years, and now consulting to several, believe me, the non-profit sector does not have a leg up on the private sector in this area. The example you used, charity:water, is very much the non-profit exception rather than the rule. Sure, a true compelling cause generates the emotional contagion necessary for the noun “network” to become the desired verb “network” but I was hoping for more substantive insights into the still murky waters of social media.

    .
  • 10 FEBRUARY 2011
    Stavros Yiannouka
    Executive Vice-Dean
    NUS LKY School of Public Policy
    Singapore

    What a load of tosh. The reason that some social enterprises and non-profits appeal to people emotionally is because what they do is meaningful....

    .
    Stavros Yiannouka
    Executive Vice-Dean
    NUS LKY School of Public Policy
    Singapore

    What a load of tosh. The reason that some social enterprises and non-profits appeal to people emotionally is because what they do is meaningful. It has very little to do with the story-telling and everything to do with the story. Some corporates can aspire to achieve the same levels of engagement because what they do is meaningful; for example Google with information or Tesla with the electric roadster. Most, however, don’t and they cannot. Unless of course, what’s actually going on here is just the repackaging of an old idea—a time-honoured tradition in business writing—whereby “story-telling” is the new buzzword for good old-fashioned advertising.

    After all, the job of advertising is to tell (or sell) a story that usually goes something like this: “Acquire product X and you will be healthier, stronger, smarter, wealthier, and more attractive to the opposite (or same) sex.” It’s a story we’ve been told and bought into many many times before and it belongs to the genre of science fiction; the science part being the market research we do to guide us to how best to tell the story.

    .
  • 10 FEBRUARY 2011
    Ravi Arora
    Entrepreneur
    New Delhi, India

    ...a private sector organization might have to face more constraints (thus challenges) in deploying a successful social media strategy...

    .
    Ravi Arora
    Entrepreneur
    New Delhi, India

    Case study explains four effective dimensions of deploying social media, aiding to fulfill an organization’s goal.

    Though a private sector organization might have to face more constraints (thus challenges) in deploying a successful social media strategy, such as, customer engagement, customer behavior, time devotion versus results (in terns of new clients, revenue, growth, market reach), and more.

    .
  • 9 FEBRUARY 2011
    John Galavan
    Sales Development
    High 5 Software
    Kenmore, WA USA

    ...This tactic/strategy is older than the printed word....

    .
    John Galavan
    Sales Development
    High 5 Software
    Kenmore, WA USA

    Story telling is classical salesmanship when working with intangibles. In reality, story telling is what people recall, why they buy, why they speak to pals—tangibles or intangibles. This tactic/strategy is older than the printed word. It tends to be used by non-profits because of small budgets and the realization that it is the story that drives the money. This is a great topic and worth re-telling often.

    .
  • 9 FEBRUARY 2011
    Christine Rodriguez
    Principal and Owner
    CGR Strategic Communications LLC
    Corona, CA USA

    ...I have led traditional strategic communications activities in both the corporate and nonprofit worlds for many years, and I learned something new today....

    .
    Christine Rodriguez
    Principal and Owner
    CGR Strategic Communications LLC
    Corona, CA USA

    The authors have done a great job of summarizing The Dragonfly Effect, and, I would say that audiences in the nonprofit, corporate, and public sectors could benefit from these tips. I have led traditional strategic communications activities in both the corporate and nonprofit worlds for many years, and I learned something new today. Also, I was reminded of how my communications skills and mindset can be modified and leveraged to fit this new medium. The excerpt from this book (which I can’t wait to read) is a good lesson in the use of social media. It is concise, easy to read, and makes a lot of sense. This guidance has helped me think more creatively about how I can effectively use my rich base of experience and skills as a strategic communications professional and leader in the social media.

    .
  • 9 FEBRUARY 2011
    Mikael Thorsen
    Marketeer
    IBM Denmark
    Copenhagen, Denmark

    There is no doubt that storytelling is an important power of the social media, but also important is that social media should be a part of the company strategy and even part of the company culture....

    .
    Mikael Thorsen
    Marketeer
    IBM Denmark
    Copenhagen, Denmark

    There is no doubt that storytelling is an important power of the social media, but also important is that social media should be a part of the company strategy and even part of the company culture. You have to have a very strong content strategy to have effective social media—to tell the stories which get the customer to “love” it and pass it on to friends and other consumers.

    To tell the best, most authentic, and trustworthy stories, you need to have a framework that can help you choose the best media for you as a company to pass on the stories. The next step is to train your employees to use the tools and tell the stories on behalf of the company. To do so, the company needs to provide guidelines for the type of content to share and how to interact with the consumers and thereby pass the story to consumers. If you as a company want the story to last longer, you need to differentiate the content among the communities with which you want to communicate and even offer exclusivity to one community group of consumers for a limited time.

    The best and most trustworthy stories are created by other consumers. We know from surveys that customers trust peer reviews and the stories created by them. An example from Denmark about very trustworthy story telling is the example of a US women’ Facebook group who used a new insulin product from the Danish medical company Novo Nordisk and has experienced a weight loss in a short period of time with nearly no negative side effects. This Facebook group has created an obese product by telling their story of how they lost weight. The company had to tell the group of woman that it was not recomendable to use the product for anything else diabetic use as FDA has not blue printed the obese use.

    .
  • 9 FEBRUARY 2011
    Patricia Smith
    President
    Management Strategies
    Jamestown, NY USA

    As someone who has been in the nonprofit sector for eons, I have seen the power of passionate people engaging others in their creation of a new entity....

    .
    Patricia Smith
    President
    Management Strategies
    Jamestown, NY USA

    As someone who has been in the nonprofit sector for eons, I have seen the power of passionate people engaging others in their creation of a new entity. For many it was one-on-one story telling. I remember especially one man trying to start an athletic and tutoring program and he would come around with his scrap book and tell the individual stories of how running and competing was the carrot to attract the at-risk youth, but that scholastic achievement was the ultimate goal. Social media makes it easier to reach larger audiences but you still have to have the right story to tell.

    .
  • 9 FEBRUARY 2011
    Virinder Kaur
    Product Strategy Director
    Oracle
    Redwood Shores, CA USA.

    In a world of marketing hype and buzz words, this offers a breath of fresh air...

    .
    Virinder Kaur
    Product Strategy Director
    Oracle
    Redwood Shores, CA USA.

    In a world of marketing hype and buzz words, this offers a breath of fresh air with focus on “being authentic”! In a wonderful world of technology innovation, social media represents a brilliant way to break down the walls of cultural, geographic, social-economic boundaries where you converge on a message delivered with an authentic voice, lead by an authentic vision.

    I’m looking forward to reading the book.

    .
  • 9 FEBRUARY 2011
    J Jeyaseelan
    Director
    Infotwins Technologies India Pvt Ltd
    New Delhi, India

    ...I might just like to add that it is also important to be sincere and honest about the stories being told....

    .
    J Jeyaseelan
    Director
    Infotwins Technologies India Pvt Ltd
    New Delhi, India

    Unexceptionable observations. Effective story telling is certainly the way to find a place in people’s lives. As a startup, I see a lot of merit in what Jennifer considers to be the difference between reporting facts and telling stories that engage the attention of people.

    I might just like to add that it is also important to be sincere and honest about the stories being told. These should emerge from the hearts of companies and not from the account books or balance sheets. If any company spins stories out of nothing just to grab the attention, its success would certainly be short-lived.

    In the long, long run, the company’s overall credibility and its commitment towards corporate social responsibility would also count. Any company which scores badly on these counts might simply lose its audience even if one of its stories is truly gripping by itself.

    .
  • 9 FEBRUARY 2011
    David Wangolo
    Analyst
    Renaissance Capital Limites
    Kampala Uganda

    ...Most leaders do not listen to the feedback or delve into the engagement phase. Yet this is truly where the ‘buy-in’ is made.

    .
    David Wangolo
    Analyst
    Renaissance Capital Limites
    Kampala Uganda

    This is a an excellent read on how to excel in marketing within a socially-mobile context. I am particularly impressed with the need to engage or “story-tell” the fan base before moving to the action phase. Most leaders do not listen to the feedback or delve into the engagement phase. Yet this is truly where the ‘buy-in’ is made.

    .
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Subject The power of storytelling: What nonprofits can teach the private sector about social media

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